16 Days Till 30: The Camera

| Posted by Lou | The time is5.53pm here in London UK |


One thing I really, really want to do is figure out how to use my Lomography Diana F+ well. I mean, it does look pretty sitting on my shelves:


but it would also be nice to be able to feel like I did just buy myself an extremely expensive ornament by actually, you know, taking photos with it.

My first attempt resulted in a blank film. Which left me not wanting to use the half-shot film sitting in it further - was it the way I was taking photos? Was it the fact that I loaded it in a mid-lit room?

As 120 is quite expensive to buy and process I don't really want to find myself paying for nothing, or missing great photos because I'm doing it wrong. (The blank film was of the Parthenon and Santorini.)

A colleague has told me that she had the same thing happen and that it is to do with requiring a dark room when loading/ unloading the film. But I'm still paranoid my technique is wrong.

Oh well, only one way to find out... I shall cut my losses and ditch the current film, load in a dark room, tape (as recommended by Bel & Mark), and get myself a private tutorial with aforementioned colleague.

I can figure this out, right?

Attempts to fly

Posted by Bel. The time is 12.50pm here in Wellington NZ

Conan Thai's photography project explores the Icarus myth and humankind's eternal battle with gravity in a thought provoking urban context.





[via Fubiz]


This series reminds me of some of my arty favourites: Sam Taylor Wood's Bram Stoker's Chair, delving in Victorian female sexuality; and Denis Darzacq's La Chute, World Press Photo award-winning images.


Sam Taylor Wood



Denis Darzacq