Posted by Lou. The time is 12.10pm here in London, UK.
I'll start with the vomitous: According to James Cameron, in the year 2154 alpha white males still dominate. They are the good guys and the bad guys, the heroes and the villains, and everyone else - female, non-white, geek - is just filling up the space in between. Come on James! That is ridiculous - and such an unimaginative vision within a film that is defined by the wealth of imagination that has gone into its creation. Also ironic when the film is making such a desperate attempt at being liberal and leftie. But of course it is also completely fitting - James Cameron himself is one of the kings of an industry defined by their so-called liberal, leftist ideals and the contradictory exclusion of female and non-white.

Our "hero" Jake Sully: young, dumb and full of cum
(with a completely unexplained Australian accent)
Hand-in-hand with this, he has populated the film with the biggest character cliches imaginable - cliches so cliched it is laughable. Now, I'm going to state upfront that I think the film works because he kept it to a simple, straight-forward, familiar story arc - this allows the clarity and cohesion necessary for the audience to be able to go along with the high-concept nature of the world. But that doesn't mean having to go to such extreme lengths of horrific cliche - how can someone who has spent so long creating such a complex idea and world give us a Colonel Miles Quaritch? Even after the despicable characterisation that is Titanic's Jack Dawson, I was still shocked by just how terrible these characters are.
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Need I say anything?
But let's put all that aside:
This film is amazing. I thought it was absolutely stunning. Weta - the Kiwi effects house that should be considered a national treasure - have really outdone themselves. Where Lord of the Rings took the technical art of cinema forward in great leaps, this takes it so far forward it's like a whole new world (well, literally I guess - its called "Pandora"). The effects are seamless and the world is staggeringly beautiful (staggeringly beautiful with a familiar touch of Kiwi to the flora). The simple - though high-concept - story allows the imagery to shine, with the slowly developing arc leaving the time and space for breathtaking flights through sumptuous landscapes... I was so taken in I didn't even think about looking at my watch till 90 minutes in, despite previously having worried about being stuck in there for 3 hours.

Nytiri - quite a spectacular physical performance by Zoe Saldana
For me it lost its way towards the 2 hour mark - Cameron becomes a bit too indulgent, over-estimating the extent to which he can hold the audience's attention before the crowning set piece begins (he has left Lord of the Rings-esque intake of breath before battle, without the benefit of Lord of the Rings-esque characters to absorb it). Where for those first 2 hours putting on the 3D glasses had for me seemed like stepping into the Avatar machine and entering a fantasy world, the last hour was more like sitting in a cinema watching a movie and wondering why it is taking so long to end.
Overall, the art of this film dominates and manages to - while you're there in the cinema watching - compensate for the pathetic characterisation. But the taste left in the mouth once the images have faded away is one of disappointment that Cameron couldn't have given us something better. I sort of feel like if it does get that big Oscar it should be jetting its way straight to Miramar, Wellington, Aotearoa.